Richard II. (engl. The Tragedy of King Richard the Second) ist ein Schauspiel von William Shakespeare. Es handelt von den glücklosen letzten. Richard II. William Shakespeare. Deutsch von Thomas Brasch. Regie: Johan Simons. Bühne: Johannes Schütz. Kostüme: Greta Goiris. Dramaturgie: Sebastian. (The Tragedy of King Richard II.) von William Shakespeare. Deutsch von Frank Günther. Diese Fassung noch frei zur DSE. Tragödie in 5 Akten.

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Richard II. war von bis zu seiner Absetzung König von England. Richard II. (* 6. Januar in Bordeaux; † Februar Schloss Pontefract, Yorkshire) war von bis zu seiner Absetzung König von England. Richard II. (engl. The Tragedy of King Richard the Second) ist ein Schauspiel von William Shakespeare. Es handelt von den glücklosen letzten. Kampf um den Thron von England. König Richard II. ist eines von Shakespeares Königsdramen und folgt einer genretypischen Formel: Es schildert einerseits. Richard II. war vermutlich der erste König von England, der Englisch als Muttersprache beherrschte. Bereits im Alter von zehn Jahren bestieg er den Thron. D. King Richard II./ König Richard II. [Zweisprachig] | Hamblock, Dieter, Shakespeare, William, Hamblock, Dieter, Hamblock, Dieter, Bolte, Hanno, Hamblock, Dieter. König Richard II. Edmund von Langley, Herzog von York. Johann von Gaunt, Herzog von Lancaster, Oheime des Königs. Heinrich, mit dem Zunamen.

Richard II. war vermutlich der erste König von England, der Englisch als Muttersprache beherrschte. Bereits im Alter von zehn Jahren bestieg er den Thron. D. Richard II. (engl. The Tragedy of King Richard the Second) ist ein Schauspiel von William Shakespeare. Es handelt von den glücklosen letzten. (The Tragedy of King Richard II.) von William Shakespeare. Deutsch von Frank Günther. Diese Fassung noch frei zur DSE. Tragödie in 5 Akten.

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The constitutional history of England, in its origin and development vol. Cambridge: The University press, A new life of Richard II.

Archer, G. Harriss and Simon Walker eds. Rulers and Ruled in Late Medieval England. Wikimedia Commons.

Eduard I. Eduard II. Eduard III. Filip IV. Jana I. Eduard z Woodstocku. Jan II. Karel I. Johana z Valois. Edmund z Kentu. Filip III. In October, Richard was imprisoned in Pontefract Castle, where he died four months later.

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Find out more about page archiving. World War One Centenary. Settings Sign out. Richard also sought to enhance the dignity and mystique of his monarchy.

He stressed the quasi-religious dimension to his kingship, and solemn crown-wearings in Westminster Abbey formed an increasingly important part of his kingly ritual.

The highly assertive nature of his kingship revealed itself in his first expedition to Ireland. In —95 he led a substantial force there to buttress the position of the English administration.

In letters of submission made for the penitent chieftains, Richard articulated his political vision. Article Contents. Print print Print.

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External Websites. Articles from Britannica Encyclopedias for elementary and high school students. Author of Richard II. See Article History.

Er wirft ihnen vor, dass ihr Zwist schändlich sei, Charlies Schokoladenfabrik Stream verbannt beide aus England, weil ihr gegenseitiger Hass den Frieden Englands störe. Übersetzt von August Wilhelm Schlegel, Bd. Kunden, die diesen Artikel angesehen haben, haben auch angesehen. Aumerle erreicht den König in Oxford jedoch vor seinem Vater und wird von ihm empfangen. Eine weitere Aufführung von verdeutlicht die politische Sprengkraft des Hulk Avengers Der Theaterregisseur Nahum Tate versuchte, das Drama abzuändern, indem er es in eine exotische Umgebung verlegte und es The Sicilian Usurper nannte. Emotionen werden im Stück Richard Ii ausschweifende Rhetorik vermittelt, etwa wenn Richard von seiner Frau Abschied nimmt oder die Krone an Bolingbroke übergibt. Well, Richie Navy Cis La Staffel 6 not even good in choosing his advisors Tv Movie Spielfilm Ursula von der Leyen, aka Flintenuschi. Dies führte zum Abzug eines Teils der Aufständischen und verschaffte dem König Zeit, neue Truppen heranzuholen, die dann die verbleibenden Bauernheere zerschlugen.

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Melden Sie sich hier an. Sie ziehen in Richtung Berkeley, wo sich Gefolgsleute des Königs verschanzt haben. Arte Mediathek Krieg Der Träume London gebracht, ist Richard bereit, Bolingbroke auch die Krone zu überlassen. Als Lords Appellant sind sie in die Geschichte eingegangen. York erklärt sich und seine Männer zunächst für neutral. Er bedauert seine ehemals so stolze Heimat England, die sich Köberlin Matthias Schuldscheine erniedrigt habe. Richard will abtreten, doch Northumberland fordert ihn auf, zuvor noch eine Liste mit Anklagepunkten vorzulesen und sich in deren Sinne schuldig zu bekennen — unter anderem soll er Hautnah Die Tierklinik Vox, den Tod des Herzogs von Gloucester befohlen zu haben. Wird oft zusammen gekauft. Er sei bereit, die Waffen niederzulegen, wenn er nur seine Ländereien zurückerhalte und wenn die Verbannung widerrufen werde. Er trifft dort auf Northumberland mit dessen Männern. Bühne Aurel Lenfert. Ein Jahr später musste er Stories Deutsch erste schwere Krise meistern. York will zum König eilen, ihn warnen und seinen Sohn wegen Hochverrats anzeigen. QUEEN Of neither, girl: For of joy, being altogether wanting, It doth remember me the more of sorrow; Or if of grief, being altogether had, It adds more sorrow to Barquero want of joy: For what I have I need not to repeat; And what I want it boots not to complain. Mowbray stieg zum Duke of Norfolk auf. Shakespeare Quarterly. Richard II. Alles Ist Liebe Stream request for money to fight in France prompted parliament to demand the dismissal of these favourites.

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Nach London gebracht, ist Richard bereit, Bolingbroke auch die Krone zu überlassen. Richard II. Erstdruck in: Shakspeare's dramatische Werke. Fazit: Alles in allem ein spannender und sehenswerter Shakespeare-Abend!

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Dear Sir Very helpful that the German translation is available. Edward of Woodstock. Nur noch 1 auf Lager. August in Flint Castle. Im gleichen Jahr kehrte die Familie nach England zurück. Als dieser erscheint, fragt Bolingbroke ihn, ob er Kreutzritter sei, abzutreten. Kategorien : Richard II. Er will wissen, wer zusammen mit dem König den Tod seines Onkels, Urlaubsvorbereitung Herzogs von Gloucester, geplant und durchgeführt hat. Details anzeigen. Sven-Eric Bechtolf gelang es binnen kürzester Zeit, ins Stück zu ziehen. Richard II. William Shakespeare &. Nov., Fr. Kaufen. 12,00 € bis 18,00 € Elf Jahre ist Richard alt, als man ihn auf den Thron setzt, Isabel von Valois. Richard II. William Shakespeare. Deutsch von Thomas Brasch. Regie: Johan Simons. Bühne: Johannes Schütz. Kostüme: Greta Goiris. Dramaturgie: Sebastian. (The Tragedy of King Richard II.) von William Shakespeare. Deutsch von Frank Günther. Diese Fassung noch frei zur DSE. Tragödie in 5 Akten. Richard II. Solo eine s Königs. Von William Shakespeare / In einer Fassung von Cornelia Rainer und Susanne Meister / Nach einer Übersetzung von August.

Richard Ii Wird oft zusammen gekauft

Diese reagierten prompt und zogen Truppen zusammen, die Richard Wann Kommt Soy Luna Staffel 2. Richard kehrt währenddessen von Irland nach England zurück und schwört, sich an den Rebellen zu rächen. Gaunt lässt sich daraufhin zu seinem Sterbebett bringen und verflucht den König. Spitzenrezensionen Neueste zuerst Spitzenrezensionen. Kunden, die Kreuzritter Artikel angesehen haben, haben auch angesehen. Meine markierten Stellen.

Farewell: our countrymen are gone and fled, As well assured Richard their king is dead. Before the castle. Bushy and Green, I will not vex your souls-- Since presently your souls must part your bodies-- With too much urging your pernicious lives, For 'twere no charity; yet, to wash your blood From off my hands, here in the view of men I will unfold some causes of your deaths.

You have misled a prince, a royal king, A happy gentleman in blood and lineaments, By you unhappied and disfigured clean: You have in manner with your sinful hours Made a divorce betwixt his queen and him, Broke the possession of a royal bed And stain'd the beauty of a fair queen's cheeks With tears drawn from her eyes by your foul wrongs.

Myself, a prince by fortune of my birth, Near to the king in blood, and near in love Till you did make him misinterpret me, Have stoop'd my neck under your injuries, And sigh'd my English breath in foreign clouds, Eating the bitter bread of banishment; Whilst you have fed upon my signories, Dispark'd my parks and fell'd my forest woods, From my own windows torn my household coat, Razed out my imprese, leaving me no sign, Save men's opinions and my living blood, To show the world I am a gentleman.

This and much more, much more than twice all this, Condemns you to the death. See them deliver'd over To execution and the hand of death. Lords, farewell.

Drums; flourish and colours. How brooks your grace the air, After your late tossing on the breaking seas? Dear earth, I do salute thee with my hand, Though rebels wound thee with their horses' hoofs: As a long-parted mother with her child Plays fondly with her tears and smiles in meeting, So, weeping, smiling, greet I thee, my earth, And do thee favours with my royal hands.

Feed not thy sovereign's foe, my gentle earth, Nor with thy sweets comfort his ravenous sense; But let thy spiders, that suck up thy venom, And heavy-gaited toads lie in their way, Doing annoyance to the treacherous feet Which with usurping steps do trample thee: Yield stinging nettles to mine enemies; And when they from thy bosom pluck a flower, Guard it, I pray thee, with a lurking adder Whose double tongue may with a mortal touch Throw death upon thy sovereign's enemies.

Mock not my senseless conjuration, lords: This earth shall have a feeling and these stones Prove armed soldiers, ere her native king Shall falter under foul rebellion's arms.

The means that heaven yields must be embraced, And not neglected; else, if heaven would, And we will not, heaven's offer we refuse, The proffer'd means of succor and redress.

So when this thief, this traitor, Bolingbroke, Who all this while hath revell'd in the night Whilst we were wandering with the antipodes, Shall see us rising in our throne, the east, His treasons will sit blushing in his face, Not able to endure the sight of day, But self-affrighted tremble at his sin.

Not all the water in the rough rude sea Can wash the balm off from an anointed king; The breath of worldly men cannot depose The deputy elected by the Lord: For every man that Bolingbroke hath press'd To lift shrewd steel against our golden crown, God for his Richard hath in heavenly pay A glorious angel: then, if angels fight, Weak men must fall, for heaven still guards the right.

Lest you mistake the heavens are o'er our heads. Parle without, and answer within. Then a flourish. Lady Madam, we'll play at bowls. Lady Madam, we'll dance.

QUEEN My legs can keep no measure in delight, When my poor heart no measure keeps in grief: Therefore, no dancing, girl; some other sport. Lady Madam, we'll tell tales.

Lady Of either, madam. QUEEN Of neither, girl: For of joy, being altogether wanting, It doth remember me the more of sorrow; Or if of grief, being altogether had, It adds more sorrow to my want of joy: For what I have I need not to repeat; And what I want it boots not to complain.

Lady Madam, I'll sing. Lady I could weep, madam, would it do you good. Enter a Gardener, and two Servants. Westminster Hall.

Now, Bagot, freely speak thy mind; What thou dost know of noble Gloucester's death, Who wrought it with the king, and who perform'd The bloody office of his timeless end.

In that dead time when Gloucester's death was plotted, I heard you say, 'Is not my arm of length, That reacheth from the restful English court As far as Calais, to mine uncle's head?

Shall I so much dishonour my fair stars, On equal terms to give him chastisement? Either I must, or have mine honour soil'd With the attainder of his slanderous lips.

There is my gage, the manual seal of death, That marks thee out for hell: I say, thou liest, And will maintain what thou hast said is false In thy heart-blood, though being all too base To stain the temper of my knightly sword.

If thou deny'st it twenty times, thou liest; And I will turn thy falsehood to thy heart, Where it was forged, with my rapier's point.

Lord I task the earth to the like, forsworn Aumerle; And spur thee on with full as many lies As may be holloa'd in thy treacherous ear From sun to sun: there is my honour's pawn; Engage it to the trial, if thou darest.

That lie shall lie so heavy on my sword, That it shall render vengeance and revenge Till thou the lie-giver and that lie do lie In earth as quiet as thy father's skull: In proof whereof, there is my honour's pawn; Engage it to the trial, if thou darest.

If I dare eat, or drink, or breathe, or live, I dare meet Surrey in a wilderness, And spit upon him, whilst I say he lies, And lies, and lies: there is my bond of faith, To tie thee to my strong correction.

As I intend to thrive in this new world, Aumerle is guilty of my true appeal: Besides, I heard the banish'd Norfolk say That thou, Aumerle, didst send two of thy men To execute the noble duke at Calais.

Many a time hath banish'd Norfolk fought For Jesu Christ in glorious Christian field, Streaming the ensign of the Christian cross Against black pagans, Turks, and Saracens: And toil'd with works of war, retired himself To Italy; and there at Venice gave His body to that pleasant country's earth, And his pure soul unto his captain Christ, Under whose colours he had fought so long.

Lords appellants, Your differences shall all rest under gage Till we assign you to your days of trial.

A street leading to the Tower. But heaven hath a hand in these events, To whose high will we bound our calm contents.

To Bolingbroke are we sworn subjects now, Whose state and honour I for aye allow. I would to God, my lords, he might be found: Inquire at London, 'mongst the taverns there, For there, they say, he daily doth frequent, With unrestrained loose companions, Even such, they say, as stand in narrow lanes, And beat our watch, and rob our passengers; Which he, young wanton and effeminate boy, Takes on the point of honour to support So dissolute a crew.

Servant These were his very words. It is thought likely that the king had ordered him to be killed to avoid the disgrace of executing a prince of the blood.

Arundel's brother Thomas Arundel , the Archbishop of Canterbury, was exiled for life. While recruiting retainers for himself in various counties, he prosecuted local men who had been loyal to the appellants.

The fines levied on these men brought great revenues to the crown, although contemporary chroniclers raised questions about the legality of the proceedings.

These actions were made possible primarily through the collusion of John of Gaunt, but with the support of a large group of other magnates, many of whom were rewarded with new titles, who were disparagingly referred to as Richard's "duketti".

A threat to Richard's authority still existed, however, in the form of the House of Lancaster , represented by John of Gaunt and his son Henry Bolingbroke, Duke of Hereford.

The House of Lancaster not only possessed greater wealth than any other family in England, they were of royal descent and, as such, likely candidates to succeed the childless Richard.

According to Bolingbroke, Mowbray had claimed that the two, as former Lords Appellant, were next in line for royal retribution.

Mowbray vehemently denied these charges, as such a claim would have amounted to treason. Rather than allowing Bolingbroke to succeed, Richard extended the term of his exile to life and expropriated his properties.

In Richard summoned the Parliament of Shrewsbury, which declared all the acts of the Merciless Parliament to be null and void, and announced that no restraint could legally be put on the king.

It delegated all parliamentary power to a committee of twelve lords and six commoners chosen from the king's friends, making Richard an absolute ruler unbound by the necessity of gathering a Parliament again.

In the last years of Richard's reign, and particularly in the months after the suppression of the appellants in , the king enjoyed a virtual monopoly on power in the country, a relatively uncommon situation in medieval England.

A new form of address developed; where the king previously had been addressed simply as " highness ", now "royal majesty ", or "high majesty" were often used.

It was said that on solemn festivals Richard would sit on his throne in the royal hall for hours without speaking, and anyone on whom his eyes fell had to bow his knees to the king.

Richard's approach to kingship was rooted in his strong belief in the royal prerogative , the inspiration of which can be found in his early youth, when his authority was challenged first by the Peasants' Revolts and then by the Lords Appellant.

Edward's court had been a martial one, based on the interdependence between the king and his most trusted noblemen as military captains.

To avoid dependence on the nobility for military recruitment, he pursued a policy of peace towards France. As part of Richard's programme of asserting his authority, he also tried to cultivate the royal image.

Unlike any other English king before him, he had himself portrayed in panel paintings of elevated majesty, [78] of which two survive: an over life-size Westminster Abbey portrait c.

Among Richard's grandest projects in the field of architecture was Westminster Hall , which was extensively rebuilt during his reign, [82] perhaps spurred on by the completion in of John of Gaunt's magnificent hall at Kenilworth Castle.

Fifteen life-size statues of kings were placed in niches on the walls, and the hammer-beam roof by the royal carpenter Hugh Herland , "the greatest creation of medieval timber architecture", allowed the original three Romanesque aisles to be replaced with a single huge open space, with a dais at the end for Richard to sit in solitary state.

The court's patronage of literature is especially important, because this was the period in which the English language took shape as a literary language.

The policy of rapprochement with the English crown did not suit Louis's political ambitions, and for this reason he found it opportune to allow Henry Bolingbroke to leave for England.

Meeting with Henry Percy, 1st Earl of Northumberland , who had his own misgivings about the king, Bolingbroke insisted that his only object was to regain his own patrimony.

Percy took him at his word and declined to interfere. On arrival, he was imprisoned in the Tower of London on 1 September. Henry was by now fully determined to take the throne, but presenting a rationale for this action proved a dilemma.

Bolingbroke's father, John of Gaunt, was Edward's third son to survive to adulthood. According to the official record, read by the Archbishop of Canterbury during an assembly of lords and commons at Westminster Hall on Tuesday 30 September, Richard gave up his crown willingly and ratified his deposition citing as a reason his own unworthiness as a monarch.

On the other hand, the Traison et Mort Chronicle suggests otherwise. It describes a meeting between Richard and Henry that took place one day before the parliament's session.

The king succumbed to blind rage, ordered his release from the Tower, called his cousin a traitor, demanded to see his wife and swore revenge throwing down his bonnet, while Henry refused to do anything without parliamentary approval.

On 1 October , Richard II was formally deposed. Henry had agreed to let Richard live after his abdication.

He is thought to have been starved to death in captivity in Pontefract Castle on or around 14 February , although there is some question over the date and manner of his death.

Henry IV's government dismissed him as an impostor, and several sources from both sides of the Border suggest the man had a mental illness, one also describing him as a "beggar" by the time of his death in , but he was buried as a king in the local Dominican friary in Stirling.

Here Richard himself had prepared an elaborate tomb, where the remains of his wife Anne were already entombed. Contemporary writers, even those less sympathetic to the king, agreed that Richard was a "most beautiful king", though with a "face which was white, rounded and feminine", implying he lacked manliness.

The popular view of Richard has more than anything been influenced by Shakespeare 's play about the king, Richard II. Shakespeare's Richard was a cruel, vindictive and irresponsible king, who attained a semblance of greatness only after his fall from power.

Richard's mental state has been a major issue of historical debate since the first academic historians started treating the subject in the 19th century.

One of the first modern historians to deal with Richard II as a king and as a person was Bishop Stubbs.

Stubbs argued that towards the end of his reign, Richard's mind "was losing its balance altogether". Galbraith , who argued that there was no historical basis for such a diagnosis, [] a line that has also been followed by later historians of the period, such as Anthony Goodman and Anthony Tuck.

One of the primary historiographical questions surrounding Richard concerns his political agenda and the reasons for its failure.

His kingship was thought to contain elements of the early modern absolute monarchy as exemplified by the Tudor dynasty. For one, the absence of war was meant to reduce the burden of taxation, and so help Richard's popularity with the Commons in parliament.

However, this promise was never fulfilled, as the cost of the royal retinue, the opulence of court and Richard's lavish patronage of his favourites proved as expensive as war had been, without offering commensurate benefits.

In medieval common law the appeal was criminal charge, often one of treason. He was made Marquess of Dorset ; marquess being a relatively new title in England up until this point.

Rutland, heir to the Duke of York , was created Duke of Aumale. Montacute had succeeded his uncle as Earl of Salisbury earlier the same year.

Despenser, the great-grandson of Hugh Despenser the Younger , Edward II 's favourite who was executed for treason in , was given the forfeited earldom of Gloucester.

The precedence could indeed be seen to invalidate the English claim to the French throne, based on succession through the female line, over which the Hundred Years' War was being fought.

From Wikipedia, the free encyclopedia. For Shakespeare's play, see Richard II play. For other uses, see Richard II disambiguation.

King of England. Portrait at Westminster Abbey , mids. Westminster Abbey , London. Anne of Bohemia. Isabella of Valois.

Oxford Dictionary of National Biography. Oxford: Oxford University Press. The marriage had been agreed upon as of 2 May ; Saul , p.

Law Quarterly Review. McKisack , p. See also Levey, pp. It is documented in the royal collection from and accompanied Blanche, daughter of Henry IV, to her Bavarian marriage.

It is still in Munich. Colvin; A. Taylor, eds. History of the King's Work. London: HMSO. Only six of the statues remain, rather damaged, and the dais has been remodelled, but otherwise the hall remains largely as Richard and his architect Henry Yevele left it.

The Riverside Chaucer 3rd ed. Retrieved 17 August Continuum International Publishing Group. The Wars of the Roses. Basingstoke: Macmillan Education.

Cambridge: Cambridge University Press. The Constitutional History of England. Oxford: Clarendon Press. In Rowena E.

Archer; G. Harriss; Simon Walker eds. Rulers and Ruled in Late Medieval England. London: Hambledon Press. Oxford Dictionary of English.

Retrieved 25 August House of Plantagenet. Henry II of England. Henry the Young King. Richard I of England.

John, King of England. Henry III of England. Edward I of England. Edward II of England. Edward III of England.

Richard II of England. Wives: Anne of Bohemia Isabella of Valois. Henry IV of England. Henry V of England.