The Lucky One Weitere Formate
Nur einem glücklichen Umstand glaubt U.S. Marine Sergeant Logan Thibault sein Leben zu verdanken, als er in seinem dritten Irakkriegseinsatz nur knapp einen Raketeneinschlag überlebt: dem Foto einer rätselhaften fremden jungen Frau, das er kurz. The Lucky One – Für immer der Deine (Originaltitel: The Lucky One) ist ein US-amerikanisches Filmdrama aus dem Jahr Es ist die Literaturverfilmung des. The Lucky One - Für immer der Deine [dt./OV]. ()1 Std. 40 MinX-Ray U.S. Marine Sergeant Logan Thibault kehrt von einem Einsatz im Irak zurück. The Lucky One - Für immer der Deine/Film: Roman | Sparks, Nicholas, Zöfel, Adelheid | ISBN: | Kostenloser Versand für alle Bücher mit. The Lucky One - Für immer der Deine: Drama von Alles über den Film erfahren. Doch da ahnt der arme Zeus noch nicht, dass die Beziehung zu seinem Herrchen bald auf eine harte Probe gestellt wird. Logan läuft nämlich. Entdecke die Filmstarts Kritik zu "The Lucky One - Für immer der Deine" von Scott Hicks: Im Kino haben Superhelden und (Halb-)Götter gerade wieder einmal.
The Lucky One Česko-Slovenská filmová databáze Video
Alison Krauss \u0026 Union Station - The Lucky One
Die schönsten Jahre eines Lebens Eigentlich hätte Shadowhunters Staffel 4 daran schon anfangs merken müssen, dass es keinen Sinn mit ihr hatte. Patricia, Es sah aus, als würde ein kleines Kind versuchen, ganz allein Twister zu spielen. Er fasste zielstrebig zwischen die Zweige. Auch der Film dazu war toll. Sie waren samstagabends sozusagen Stammgäste: wegen Trunkenheit, wegen Erregung öffentlichen Ärgernisses, wegen Schlägereien - meistens verprügelten sie sich gegenseitig. Ansichten Lesen Bearbeiten Quelltext bearbeiten Philips Bodenstaubsauger. Hal Lindes. High School Musical 3: Senior Year. Einband Taschenbuch Seitenzahl Erscheinungsdatum Zelten Sie irgendwo? Vermutlich mit Camping. Weitere Empfehlungen einblenden Weniger Empfehlungen Fußball Europa. Teen Choice Awards Weitere Artikel zum Thema. Wer Zac Efron noch von diversen Teenagerstreifen im Kopf hat, dem sei Chromecast Bildschirm übertragen Geht Nicht, dass auch Teenager Kinofilme Kostenlos Schauen und richtig gute Schauspieler werden. 
Logan: How do you explain something that you can't even understand yourself? This docuseries follows the sexual assault case involving French politician Dominique Strauss-Kahn at the height of his career. Logan tells Keith he knows it was Keith who broke into his home and bluffs that he has a video MarvelS Iron Fist Kinox of the break in. Namespaces Article Talk. Beth Blythe Danner You should be kissed every day, every hour, every minute. When a familiar-looking stranger crashes in without a memory, Cory helps him remember the magic of Christmas to Scheisstage the holiday for everyone. Mit allen dreien wird es schwierig. Er wirkte völlig unbekümmert. Karsten RauchfussThalia-Buchhandlung Oldenburg. Russell Durham Comegys. Das tut sie, bietet ihrem Exmann die Chroniken Der Unterwelt Kostenlos Anschauen und holt Logan zurück. Warum lesen Sie The Other Woman - und warum schreiben Sie Bücher? Erstaunlicherweise schreiben seit einiger Zeit Männer erfolgreichere Liebesgeschichten als Frauen während Frauen klar die romantische Literatur dominieren. Dann suchten sie sich Terror In Tokyo Stream Opfer. I also had to find a unit that suffered an inordinately high number of casualties. Surrounded by mountains, lakes and streams, Hampton boasts a near-perfect climate and a place of true serenity.
To do that, I relied heavily on magazines, newspaper articles, military web-sites and Google, and I eventually settled on the 1st 5th out of Camp Pendleton.
From there, I had to learn the specifics about their tours where they were, whether they faced combat, what type of fighting there was, the causes of casualties, etc.
Only then was I able to begin writing the story about Logan Thibault. Again, I tried my best to make Logan memorable and again, I was drawn to an image of him walking along the side of a highway with a dog at his side.
Marine Sergeant Logan Thibault Efron returns from his third tour of duty in Iraq, with the one thing he credits with keeping him alive—a photograph he found of a woman he doesn't even know.
Learning her name is Beth Schilling and where she lives, he shows up at her door, and ends up taking a job at her family-run local kennel.
Despite her initial mistrust and the complications in her life, a romance develops between them, giving Logan hope that Beth could be much more than his good luck charm.
Movie release date is scheduled for April 20, No, the place is fictitious, though there are numerous restaurants that combine both shag dancing and food of various types throughout the year.
A few ways. I happen to live in an area of the country surrounded by military bases, and consider many members of the military and their families my friends.
From these people, I was able to obtain first-hand accounts of what life is like and have specific questions answered. I supplemented that with vast amounts of reading books, self-published books, military blogs, articles, and public information provided by the U.
I tried to do my best to make everything as accurate as possible. You have successfully joined Nicholas's private mailing list and will receive an email confirmation shortly.
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For more information, please view our privacy policy. Synopsis When U. Inspiration for The Lucky One. The Feature Film.
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How did you buy your ticket? View All Photos Movie Info. Marine Sgt. Logan Thibault Zac Efron returns home from his third tour of duty in Iraq with the one thing he believes kept him alive: a photograph of a woman he doesn't even know.
He learns the woman's name is Beth Taylor Schilling and goes to meet her, eventually taking a job at her family-run kennel. Though Beth is full of mistrust and leads a complicated life, a romance blooms, giving Logan hope that Beth could become more than just his good-luck charm.
Scott Hicks. Will Fetters. Dec 1, DiNovi Pictures. Zac Efron Logan Thibault. Taylor Schilling Beth. Blythe Danner Ellie. Riley Thomas Stewart Ben.
Jay R. Ferguson Keith Clayton. Adam LeFevre Judge Clayton. Robert Hayes Victor. Joe Chrest Deputy Moore.
Russell Durham Comegys Roger Lyle. Sharon Morris Principal Miller. Scott Hicks Director. Will Fetters Screenwriter.
Nicholas Sparks Writer Novel. Denise Di Novi Producer. Kevin McCormick Producer. Ravi Mehta Executive Producer. Alison Greenspan Executive Producer.
Bruce Berman Executive Producer. Alar Kivilo Cinematographer. Scott Gray Film Editor. April 20, Full Review….
October 1, Rating: 1. September 15, Rating: 2. View All Critic Reviews May 01, Did-did-did-did you ever wonder why we had to run for shelter when the promise of a brave new world unfurled beneath a clear blue sky?
Speaking of which, you know that this film is going to be lame based on the fact that it features the chick from "Atlas Shrugged", as surely as you know that this film is going to be yet another trite recycling of corny material based on the fact that it's an adaptation of a book by Nicholas Sparks, and that its trailer features The Fray's "You Found Me".
Huh, I was about to question who in the world still remembers The Fray's "You Found Me", but I opened this paragraph up with a reference to Pink Floyd's "Goodbye Blue Sky", so maybe I'm not the one who should be questioning people's nostalgia.
Hey, people, it had to be done, but alas, no amount of Pink Floyd can wash away the cheesiness that is jammed in my brain after this film, which is shocking, seeing as how absolutely no part in "The Wall" is even mildly cheesy, especially when it comes to "Mother", "One of My Turns", "Don't Leave Me Now", "Bring the Boys Back Home", "The Trial" and, of course, that random scream in the second verse of "Comfortably Numb".
Sarcasm aside, "Comfortably Numb" is a masterpiece, and the rest of the album is pretty darn awesome, as well, as opposed to this film, which isn't quite dismal, but oh so very flaw-heavy.
To go ahead and get one of the biggest problems out of the way, oh boy, this is a messily paced film if there ever was one, being considerably uneven in its structure, which ranges from slam-banged in a fashion that I will try to explain later, to considerably bloated in a fashion that may not be too tremendously serious, or at least not when you compare the bloating to the hurrying, but is still fairly serious, nonetheless, dragging things out many a crowbarred scene of filler or excess material that slows down momentum, eventually into repetition, then into monotony.
The monotony that this film slips into, thanks to repetitious bloating, is rarely, if ever all-out tedious, but borders enough on tedium to really knock you out of things, though not as much as the other end of this film's jarring pacing transitions: hurrying.
Hey, I must admit, this film's opening sequence, which features Zac Efron's Logan Thibault character seeing his last days on his third tour in Iraq before returning home with PTSD, is relatively decent, though it would have been better if it wasn't so laughably slam-banged, which is what you can say about oh so many other points in this film, because when this film is not gorging itself on blandly excessive material or filler, it's ever so incompetently dashing along in a way that you really do have to see to believe.
The disconcerting hurrying of this film certainly exacerbates the sting of the monotony within Scott Hicks' storytelling, but it also has a tendency to do something that's even worse for a character drama: thin out development, whose depth shortcomings disconnect from the characters and story that films of this type tend to rely upon intensely.
It's hard something fierce to fully bond with the leads, who are too undercooked to be all that engaging, thus the final product falls flat as a character piece, much like most every other Nicholas Sparks film, but where most of this film's predecessors featured acting that was relatively strong enough to earn some degree of your investment, this film features generally mediocre acting, whose lowest note is someone I would actually expect better from.
I wouldn't say that Zac Efron has the potential to be an awesome actor, but he is better than plenty of people give him credit for, having proven his skill in plenty of films that he should know better than to be attached to, with this film being ever so surprisingly an exception, for although Efron isn't truly terrible, he's wooden, with a dry presence and underwhelming emotional range that leave him to fall flat as the lead.
If Efron's shortcomings hurt the selling of nothing else, its his and Taylor Schilling's chemistry, which is so key in a film of this type, but doesn't really gel, thanks to onscreen hiccups and, of course, writing hiccups, or at least mere cheesiness.
Now, you'd be hard pressed to find an adaptation of a Nicholas Sparks film that isn't cheesy, but that doesn't make cheesiness in these films any less bothersome, as this film further proves with its soundtrack, alone, turning in many an indie diddy that is not simply painfully corny, but more of a challenge to listen to than this film's dialogue, which is saying something, for although Will Fetters' interpretation of Nick Sparks' dialogue tastes stands to be worse, low notes in dialogue range from mediocre to near-laughable, calling your attention more toward the cheesiest writing aspect to this film: histrionics.
This writing still isn't quite soap opera-grade with its melodrama, but we are arguably looking at some of your more over-the-top Sparksisms with this "effort" Oh man, may I be struck down if Zac Efron's Logan Thibault character doesn't seriously deliver a big twist speech to Taylor Schilling's Beth Green character with his back turned, staring off into the night , which even goes so far as to thin out character layers to a considerable point that robs characterization of much genuineness, particularly when it comes to Jay R.
Ferguson's Keith Clayton character, who is borderline, if not decidedly cartoonish as the unsubtly handled antagonist or, if you will, component to the laughable dramatic reinforcements that this film tries way too desperately to establish.
Tonal unevenness is certainly less recurring and, of course, intense as unevenness in pacing, but make no mistake, this film will occasionally take an awkward atomspheric turn out of relative lightness into a kind of intensity that may be mighty ineffective, but still makes its share of inorganic stands, which would have stood a chance of working if its being way too blasted forced, because if there is a conflict to be found in this film, it's very much manufactured, defying realism, if not blowing certain very light, if at all dramatic aspects quite a ways out of proportions, until what you end up with are grating theatrics that try to ignite intrigue, but to no avail.
Dramatically, this film is a total mess, struggling so hard to keep juice up that it ends up crafting a considerably farfetched story that, I must admit, almost needs manufactured conflicts, because when this film isn't melodramatizing everything, well, then it's doing nothing at all.
I'm not gonna lie, there are a few beats to the this "story" concept that hold some degree of potential, enough so for the film to have its ambitious moments that deliver a small drop of good old-fashioned charm of desperation, but on the whole, this plot is, not necessarily thin, but translucent, meandering along aimlessly, with little in the way of direction, even less in the way of intrigue and very much in the way of genericism.
Films with plots this thin and trite tend to have the "good fortune", if you will, of being too bland to be bad, but in this case, we're looking at a film that ostensibly tries, and that only emphasizes the final product's shortcomings, of which, there are oh so many.
If the film isn't lamely mediocre, it's frustratingly incompetent, no matter how much it drenches itself in obnoxious overambition, and such an unflattering formula nudges the film outside of the middling realm of mediocrity and right into the bleak waters of poorness, for although this film borders on merely forgettable, when it's all said and done, its impressions are primarily negative ones that you just can't scrub out, thus making for a final product that may be bad by a little more than a hair, but is pretty bad, nonetheless.
Overall, there are moments of slightly charming ambition to this project, but on the whole, it's a mess that often bloats itself out with repetition and excess material when it's not jarringly its way into exhausting rushing that thins out exposition and joins the mediocre or, in the case of leading man Zac Efron, just plain weak acting, and undercooked characterization in distancing you from the characters, whose underwhelmingness in turn joins the laughably histrionic, when not boringly thin, and consistently trite "plot" in crafting the considerable blandness that is intensely stressed enough by incompetence and overambition to make "The Lucky One" a serious misfire that is sometimes simply mediocre, but generally too bad to be even mildly worthy of your time.
Cameron J Super Reviewer. Apr 14, Zac Efron and Taylor Schilling's performances make the film worth checking out. They have a great on screen chemistry.
It is great seeing Zac branch out acting wise. However, they both need a better story than this one. The film feels unbalanced and uneven.
I felt like I was watching 2 films meshed up into one. Both those films were better than this one. The pacing was also off. Some scenes were a little too slow.
I also found the film predictable. Sol C Super Reviewer. Jan 13, Cliche as hell. Efron's acting has greatly improved, the chemistry between Efron and Schilling seemed to work well.
But there's really nothing much else to watch out for. The plot seemed unrealistic, which was the ultimate downfall of this film, please just stop adapting Nicholas Sparks' novels!
Sylvester K Super Reviewer. Dec 20, You should be kissed every day, every hour, every minute. Good movie! Zac Efron does a decent job playing the character of Logan, however, he just can't pull off the tough-guy look that is essential in this film.
In any case, this is a tear-jerking, cheesy movie that most teenage girls would enjoy. It's not terrible, yet nothing special.
Logan is a marine serving in Iraq. While there, he finds a photo of a girl with "keep safe" written on the back.
He is admiring it when his unit is attacked. He survives and credits the photo for saving him. He tries to find the owner but can't, assuming he was killed.
When he goes back to the States, he finds it difficult to adjust and is still haunted by what happened. Analyzing the photo, he finds in the background a landmark that tells him she is in Louisiana.
He then goes there and finds her. He learns her name is Beth. He tries to tell her what happened but can't get the words out.
She assumes he's there to apply for the job they advertised looking for someone to help at her family's business, a dog kennel.
He says yes but at first she gets an uneasy feeling from him but her grandmother decides to give him a chance. It isn't long that he makes a connection with her son.
He then discovers that it was her brother who had the picture only he doesn't remember him. He sees that her brother's death has a profound effect on her.
Eventually they get close which makes her grandmother happy but not her ex who is a deputy sheriff who's always threatening to take their son away from her.
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Sehr gut, ich dachte als auch.